Film Festival "Docu-MENTAL"
The III Film Festival "Docu-MENTAL" will open the III Congress on Mental Health: Meeting the Needs of the XXI Century on 25 June 2020 in Moscow, Russia.
"Docu-MENTAL" is a panorama of feature and documentary films about and BY people with special mental health needs.
"Docu-MENTAL" is a platform for open discussion where well-known film critics, mental health specialists and non-specialists enable viewers to analyze the characters' personalities and their perception of the world for mutual understanding and benefits.
"Docu-MENTAL" is a joint project with the Film Platform "Pilgrim", which with the help of magic of short films shows the lives of special people, their hobbies, thus changing the attitude towards them, their lives and roles in society.
"Docu-MENTAL" is an international contest of short fiction and non-fiction films about and BY people with mental disorders and developmental disabilities, which is supported by: the Film Platform "Pilgrim", the Company "Festagent", the Moscow Film School, and the Gorky Film Studio.
III Docu-MENTAL Film Festival Events
8 October (Thursday)
The third Docu-MENTAL Film Festival focuses on problems associated with child mental development, inclusive education, and discrimination against people with mental and behavioral disorders. This event is part of the social and cultural program of the III Congress on Mental Health: Meeting the Needs of the XXI century" - "CHILDREN, SOCIETY and FUTURE", an international interdisciplinary scientific event that was postponed to October 2021 due to the pandemic.
"The Film Festival program turned out to be differentiated and reflects mental health issues from different sides. The main focus of the program was on destigmatization of people with mental illnesses, on how to live a person with a diagnosis or in a difficult psychological situation, how to communicate with other people, with relatives and friends. The main idea of the program: a diagnosis or difficult life circumstances that cause disorders is not a cross on a person," says film expert and teacher Vsevolod Korshunov, a member of the jury.
The online screening of winning films is held as part of the Kino-MENTAL project together with the festival Agency "Cinepromo" on the "Pilgrim" Platform»: https://piligrim.fund/kinomental#1012
The opening film of the Festival was the only feature film of the program, the Israeli drama "And here we are", which entered the line-up of the 73rd Cannes Film Festival. This is a story about a father and his son with autism disorder who go on a spontaneous journey on the eve of separation. Aaron gave up everything — his career, his job, his friends — to raise his son URI. His son is in his twenties and has an autism spectrum disorder. He is able to shave in the morning because "all good people shave and Charlie Chaplin doesn't have a beard," but he can't handle the simpler actions. He can't go through the automatic opening doors in case they slam him. Can't see fish being eaten. And he needs to constantly ask his father: Do I love this shirt? Do I like the color yellow? Do I love my mother? Nevertheless, separation occurs, and the son remains to live in a specialized home with his peers. And this is his first independent decision.
9 October (Friday)
"Solo" (Argentina, Czech Republic, 2019, Director: Artemio Benki) - the story of virtuoso pianist Martin Perino, who struggles with paranoid schizophrenia, became the film of the second day of the Festival. Four years ago, the pianist Martin Perino was in the largest psychiatric hospital in Latin America with a diagnosis of "paranoid schizophrenia". As a child, Martin heard praise only outside the house, so very early he stopped feeling the world around him as real. Music helps the adult Martin organize the fragments of the perceived, and heavy medications do not allow them to crumble again. But it becomes much easier for the hero only among people — he plays for more infirm patients, takes on small concerts and lectures, works on a new composition with a friend-a dancer who understands Martin by the notes he wrote. Very soon, the hero's hospitalization will end, and the camera will follow him to his father's apartment, which does not have a single musical instrument. While working on "Solo", Benki was struggling with a terminal illness, so the resonance between him and Martin Perino is the main theme of this film — Symphony. The Spanish — language film, directed by a Frenchman from the Czech Republic, tells a personal, but not national, story about parental perfectionism, childhood trauma, psychosocial therapy and the search for strength to fight.
10 October (Saturday)
This day was particularly stressful for the Film Festival, as it presented three films at once, raising the problems of inclusive education and the lives of people with mental disabilities in specialized institutions.
The film "Jun Ha Planet" ("Jun-ha-ui-haeng-sung", South Korea, 2018, Director: Hong Hyun-Suk) tells the story of a fourth-grader Jun Ha, who does not always remember how to express certain feelings. Instead of words of gratitude, the boy begins to spit, and when he becomes "stuffy", fists are used. Teachers patiently observe the child, try to understand his motivations and establish a pattern of behavior. Teachers at an alternative Seoul school have eliminated the racing element in favor of lessons in mutual aid and non-toxic communication. Children are taught not to avoid or fear Jun Ha, and their level of empathy is astounding even for inclusive education professionals: "At their age, I couldn't do that," says one teacher. This movie is not about magic techniques, but about detailed collective work. Everyone here is engaged in creative work, trying to hear the melody that sounds on the Jun Ha planet.
Two Russian-language films: "Barsky Dom" (Russia, 2019, Director: Anna Altukhova) and "Place of love" (Belarus, 2019, Director: Lyubov Zemtsova) told about the life of people with mental disabilities in specialized social institutions.
The half — hour "Barsky Dom" (Lord House) is the only film in the program that is directly related to academic research. The project was made with the support of the European University in St. Petersburg, and the team of its creators-anthropologists Ilya Utekhin and Anna Klepikova, the author of the high — profile documentary novel "Probably I'm a fool" about adults and children from specialized boarding schools. The viewer looks at the world through the eyes of heroes, people with intellectual disabilities. Each of them dreams of a family, but they say it out loud for the first time. Now this is a real chance, and not a distant lordly privilege.
"Place of love" is the last film work of the famous Belarusian documentary filmmaker Lyubov Zemtsova, who died in a car accident this spring along with her colleagues in the video project "Unknown Belarus". This is a film about a love quadrangle in the Bobruisk leisure center for people with disabilities. Tanya is 38, Vadim, Olya and Denis are twenty years younger. Like all of Luba's works, this is a movie about invisible people with big open hearts. Zemtsova contrasts stereotypes about the emotional life of people with disabilities with impressionable and very vulnerable characters. They quarrel, make up, dream of love, worry about the future, and most importantly – they can and want to talk about their feelings.
11 October (Sunday)
Lena Marie Fossen is twenty-eight and has never gone through puberty. At the age of ten, the heroine stopped eating and has since suffered from a severe form of anorexia. But taking up portrait photography, Lene Marie realized that you could stop time without self-destruction. She goes to the Greek island of Chios, where she takes pictures of residents, Syrian refugees, and makes a series of self-portraits in an abandoned leper colony. From a hermit, the girl turns into the "black sun" of world photography, participates in festivals, and shares her experience on TEDTalks. But soon Lene Marie gets a neck injury, and her weakened body, which has long absorbed only protein drinks, begins to give up. Who died in 2019 from cardiac arrest, Lene Marie Fossen managed to watch the final editing of this film and called it a potential shield against the insidious all-consuming disease. The heroine describes anorexia as a Nazi regime inside her own body — painful not only in itself, but also because of the censure from others who perceive anorexia as a personal whim. In her poignant monologues, Lene Marie tells how as a child she was afraid to be left alone with the world, and out of a sense of self — preservation, she locked herself in her own body, not knowing how unbearable this form of struggle would be.